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Friday, May 05, 2023. 07:00.
Introduction-3.
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The Upanishad begins with a startling exposition of the very methodology adopted in the Upanishads. The method of the Upanishad is secret, esoteric and intended to go into the meaning of an action which is otherwise exoteric. The Vedas have one aspect, namely, the ritual aspect, the aspect of sacrifice, performance of religious ceremony, by the application of the Mantras of the Samhitas, as expounded in the section known as the Brahmanas. The Aranyakas go to the contemplative side of the Brahmanas, and tell us that a sacrifice need not necessarily be outward. It can also be inward; and the inward is as powerful as the outward. It can even be more powerful than the outward ritual. The ritual that is performed by the mind, say the Aranyakas, is more powerful in the production of effect than the ritual that is outwardly performed through the sacred fire or in the holy altar. The entire range of the Aranyakas is filled with this meaning, that mental action is a greater action than the external act. Its capacity is greater than that of external activity. Thought is more potent than word and deed. This principle is carried to its logical limit in the Upanishads.
The Upanishads are embodiments of different types of contemplation on Ultimate Reality, and so is the Brihadaranyaka Upanishad. The beginning of the Upanishad is a contemplation on the inward meaning of a great sacrifice described in the Brahmanas, known as the Asvamedha Sacrifice. It is an external performance of a religious character for the purpose of achieving higher results in the form of celestial enjoyments, etc; but the Upanishad tells us that the proper approach to the aims of human life, such as ultimate satisfaction, delight, etc. would not be the method of the Brahmanas which is only symbolic, but there is a deeper approach which can be more easily affiliated to the nature of Reality than is the external action of the Brahmanas. The sacrifice of the Asvamedha—it is a peculiar term which signifies the consecration of a horse in a large ritual performance—was mostly undertaken by princes and kings in ancient times, for the purpose of name, fame, etc. in this world and heavenly rejoicing hereafter. But the Upanishad tells us that its meaning is something quite different. What we see with our eyes and what we do with our deeds are indicative of a deeper aspiration in our minds, and what we actually seek is not pleasure, not satisfaction in the ordinary sense, not power, not name, fame, because all these are transient. Everything shall end, one day or the other. What are these joys in heaven? What is this power in this world? What is this name and status? They are mirages; they are nothing but husk, because they pass like wisp of wind. And how is it possible for the soul of an individual to ask for that which is transitory, perishable and passes like a wind?
Will any wise person ask for a perishable joy? How could anyone engage oneself in activities, performances, religious or otherwise, which are capable of promising only transient joys, which will rob us of all our strength, and, then, land us in sorrow most inconceivable? What is the real aspiration of the soul of the individual? What is it that we really ask for? What is it that we need? It is difficult to answer these questions. The child cannot answer the question: ‘What do you need?' ‘I want a sweetmeat, a sugar-candy, a toy.' What else can the child say? Such seems to be the answer of the untutored mind, the illiterate soul, sunk in the darkness of ignorance, which speaks in terms of name, fame, power, wealth and diversion and gain and pleasures; whether they are transient or not, it cares not. It asks for pleasure, which shall end in a complication from which it is difficult for one to free oneself.
The Upanishad promises us a freedom which is above the turmoil of all earthly existence. It can make us happy perennially under every condition, even after death—not merely in this life. In fact, the Upanishad assures us that death is not a bar, and not a fear. There is no such thing as death as we think of it. It is another kind of process which is intended for the chastening of the soul in its march towards a greater perfection; and perfection is what we ask for, not pleasure. This is what the Upanishads tell us, on which the Brihadaranyaka contemplates in vast detail.
To be continued
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