The Brihadaranyaka Upanishad - Ch-1. Second Brahmana, The Creation of the Universe. : 13.3 Swami Krishnananda.

-

----------------------------------------------------------------------------------



---------------------------------------------------------------------------------
Tuesday, August 24, 2021. 7:57. PM.
Chapter - I :
SECOND BRAHMANA : 
THE CREATION OF THE UNIVERSE-13.3.
---------------------------------------------------------------------------------




Sa manasā vācam mithunaṁ samabhavad aśanāyā mṛtyuḥ: Here the word aśanāyā mṛtyuḥ is repeated once again in order to bring out the sense that creation is an 'othering' of God, an alienation, a sacrifice, which is sometimes called the 'Cosmic Sacrifice'. The Absolute becomes something other than Itself, in order that it may appear as this universe. How does it become other than it is? By the projection of the time factor. There is no time in God; it is all Eternity. The moment there is the projection of process, it becomes creation-Saṁvatsara, the time-cycle. Saṁvatsara is the principle of the year, which is time. The moment there is consciousness of time, we are in a world of experience. And in the Absolute, which is durationless Eternity, there is no such process as time; there is no past, present and future. What we call Eternity was the Essence of God Himself, and in the grasp of the Universal Consciousness of God, past, present and future come together in a single comprehension. But, in the individual's case, this is split into three sections-the past, the present, and the future, which cannot be connected easily. We cannot know the past, we cannot know the future, we are in a very fine split-fact of what is called the present. Every second, the present passes and becomes a past. The past, the present, and the future are not three distinct parts of time, cut off one from the other. They are a continuity like the flow of a river. But, due to a peculiar effect that the time has upon our minds as individuals, we are unable to conceive of the past and the future, and we are stuck up in the middle, in the present merely. However, the point made out here is that the factor of time became manifest. Na ha purā tataḥ saṁvatsara āsa: Before that, there was no time. Before creation, time was not, and time and creation are identical. The moment there is creation, there is time, and the moment there is time, there is creation. They are one.


As mentioned earlier, the whole duration for which the universe lasts is dependant upon certain factors precedent to the creation of the universe. The chronological, genealogical, or cosmological descriptions given in the Purāṇas, etc. tell us that the duration of the universe during a particular Kalpa, or cycle of time, will be determined by the time taken by the potencies of the individuals who lay unliberated in the previous Kalpa. Therefore, it cannot be said that every Kalpa is of the same duration. The night of Brahma as we call the period of dissolution of the universe, is again of that much of duration as would be necessary for the fructification of the individual potencies lying unliberated in the previous Kalpa, at the time of the dissolution. Thus, by the manifestation of time, creation becomes possible. This is the point where Virāt assumes a complete Form, and time which has not yet begun to control things starts contemplating, as it were, the control of things. In Virāt, time is controlled by the consciousness of Virāt, but subsequently time becomes the controller. We have no control over time.


Here is a very peculiar symbolic expression, which seems to tell us that the urge for creation, the outrush of manifestation which is the principle of death, described here as Mṛityu, was not satisfied with creation up to the point of Virāt, and wanted to engulf Virāt itself in its bosom, so that creation would end with Virāt; but, it did not end with Virāt. The principle of manifestation was not satisfied with the manifestation of Virāt. The One has to become the many, further down. Well, the Virāt is the many, no doubt; manifold expression is there in this Body of the Virāt; everything can be seen there; everything is found there. So, in a way, we may say it is the fulfilment of the desire to create. But, the desire was not fulfilled. There has to be a further creation, and so, while the principle of death, which is the urge for creation, wanted to swallow the Virāt itself in its all-consuming mouth, the Virāt resented, as it were. It is symbolic, of course; not that there were two persons acting in two different manners. It is only a way of expressing a fact that the violent onrush of the urge for creation did not get exhausted with the manifestation of Virāt. It became more and more violent as it went down, until it saw the complete overturning of the cart, and the object sat on the throne of the subject, and that was enough. With that, the creative urge, perhaps, was satisfied. The Virāt resented the onrush of the urge for creation, which means to say, it did not accede to the idea that creation should end with Virāt. The Virāt manifested Himself further down, and his resentment is the Vāc, which means to say, the principle of speech. Here the speech means, symbolically, the Veda, and the Veda means knowledge, the Word, Vibration, Creative Force; and all that Omkāra, or Praṇava, symbolises. Then what happens?

To be continued ...


=======================================================================

Comments

Post a Comment

Popular posts from this blog

The Brihadaranyaka Upanishad - Ch-1, Second Brahmana, Post-1 : Swami Krishnananda

-
Image
------------------------------------------------------------------------------------------------------- Monday, January 25, 2021. 04:04. PM. Chapter I : SECOND BRAHMANA: THE CREATION OF THE UNIVERSE Post-1. ----------------------------------------------------------------------------------------------------------------- Now follow some very difficult symbols of the Upaniṣhad. Literally, they cannot be easily grasped. Even the Sanskrit is not classical; it is highly archaic. It is a Vedic language. And the idea conveyed through this most difficult style is still more difficult, so that one cannot easily make out the sense of some passages, unless we deeply think over the words as well as the meanings that are hidden between the lines. An unphilosophical mind may not be able to understand the hidden meaning of these symbols, and perhaps it is the case with all symbols; they cannot be understood literally. The symbolic description here is one of the process of creation. How things come; an
Read more

The Brihadaranyaka Upanishad -1.7 Swami Krishnananda

-
Image
Wednesday, June 10, 2020. 1.Introduction -7. 1. The Upanishad begins with a startling exposition of the very methodology of living adopted in our country. As I tried to mention to you, the method of the Upanishad is secret, esoteric and intended to go into the meaning of action which is otherwise exoteric. I have also mentioned that the Veda has an aspect, namely, the ritual aspect, the aspect of sacrifice, performance of religious ceremony by the application of the Mantras of the Samhitas, as expounded in the section known as the Brahmanas.  The Aranyakas go to the contemplated side of the Brahmanas, and tell us that a sacrifice need not necessarily be outward; it can also be inward; and the inward is as powerful as the outward. It can even be more powerful than the outward. The ritual that is performed by the mind, say the Aranyakas, is more puissant in the production of effect than the ritual that is outwardly performed through the sacred fire, or in the holy altar.  The entire rang
Read more

The Brihadaranyaka Upanishad - Ch-1. Second Brahmana, The Creation of the Universe. : 12. Swami Krishnananda.

-
Image
 ---------------------------------------------------------------------------------------------------------------------- --------------------------------------------------------------------------------------------------------------------- Monday, August 9, 2021.10:42. PM. Chapter - I : SECOND BRAHMANA :  THE CREATION OF THE UNIVERSE-12. -------------------------------------------------------------------------- This Cosmic Prāṇa, Hiraṇyagarbha, or Virāt, assumed a threefold aspect – Adhibhautika, Adhyātmika and Adhidaivika, viz., the physical, the subjective and the transcendent. The objective or the physical, the subjective or the psychic, and the transcendent which is the invisible divine content, are later formulations. Here again the Upaniṣhad brings us back, by a Simhāvalokana, as it were, a retrospective look, to the unity of things, in spite of the tripartite diversification that has taken place. In spite of this threefold manifestation, which is apparently a segmentation of crea
Read more